![]() I start with a base color (mid-grey) and then add shadows. ![]() Not sure what it is, but some sunflowers seem to have it. The centre is the darkest, as well as the outer ring. Then I’ll add shade to the centre of the sunflower. If you think something looks too uniform, you can make it more realistic by making it imperfect.įor my illustration, I made the petals less uniform. This is where you can make small adjustments. I erase every guideline and tidy up as much as I can. But for this step, we are going to use simple shading.įirst, draw a clean outline. Now that our sketch is finished we can use any medium we want to- watercolours, acrylics or gouache paint, colored pencils or pastels, anything really. The curves of the veins help shape the leaf, so make good use out of it. I darkened the side of some leaves to keep things clear. Follow your centre line and imagine how the leaf would curl. This centre line also represents the biggest vein in the leaf. To know which way and how the leaf curves, we add a centre line. Since the stem of a sunflower has fuzz, we add short lines. Branch out to the leaves and round the bottom of the stem. Drawing the stem of the sunflowerįollow the guideline that you created for the stem. Make sure to not add too many strokes: this part of the sunflower has the lightest value. Fill in the remaining open spot with even shorter strokes than before. Lastly, we draw the centre which consists of dots because we are looking right at it. Next, we continue adding strands closer to the centre. It’s up to you whether to represent it accurately or if you are going for something less accurate but easier to draw.įor a realistic drawing, draw the outer part of the centre which has the longest strands. The centre of a sunflower exists out of little strands. Now we are going to add some lines to indicate the flowers are wrinkled. You can erase your guidelines to avoid messiness. Same here, differ in size or even skip some. Let’s now add a row of petals below our current row which I drew in orange for clarity. ![]() Lastly, we add petals to the last remaining color: green. Whilst it looks great as an illustration if you make your petals too uniform it looks less realistic (like how I’ve done below). Next, draw petals on the purple and blue guidelines. Remember, if you’re going for realism you want to vary in length and thickness. ![]() The middle part is wider than the base and top.Īnother distinction of sunflower petals is that they slightly crease. The ends taper but are still (slightly) round. Sunflower petals are long, elongated and rounded. Since we are going for a realistic flower, the lines can be slightly off. The guidelines don’t have to be perfectly in the centre each time. One last time we divide the remaining space in half (purple). Next, divide the newly created spaces in half again (green color).Īnd yet again we divide these new parts in half (blue). Start by dividing the circles horizontally and vertically in half. To evenly space these petals, we draw guidelines. Draw guidelines for the pedalsĪ sunflower has layered petals. Don’t make it too small, or it will look like a daisy. The key characteristic of sunflowers ar their big centres. This circle represents the brown centre of the sunflower. Next, we draw another circle but this time it will be smaller. This circle is what the outer tips of the petals are going to touch. Now that we know the approximate size of our sunflower, we draw a circle. Next, sketch a few circles where your leaves are going to be. Start by sketching a circle that represents the flower and a line that represents the stem. Take the size of your canvas into consideration! This way you won’t draw too big or too little. By drawing these shapes we estimate how big we want our subject to be. Bounding boxes are shapes that represent the size of our object. The first step is to roughly sketch in our bounding box. How To Draw A Realistic Bird With Colored Pencils 1.
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